Read the review after the jump!
I think I might be 10 to 12 years too old to really get the Twilight phenom, and, perhaps, I'm about 15 years too young to really howl at a shirtless 17 year old because that's the sentiment I walked away with after the Twilight Saga: New Moon screening this week. So, devout lovers of the books, beware; there's a good chance my review might break your heart..that is, of course, if Robert Pattinson hasn't stolen it away already. Read the review after the jump!
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I feel like Bad Lieutenant: Port of Call New Orleans' director Werner Herzog would be proud of the way I first saw his movie. You see, Herzog claims to have never seen the original Bad Lieutenant starring Harvey Keitel that came out in 1992, and I dig his style. Despite one of the original writers penning the script for the 2009 rendition, Herzog still refused to check out the original. It’s not like he couldn’t have very easily ordered the DVD from Amazon; he just flat out didn’t want to see it. So the fact that I walked into the theater having watched the trailer for the original film and was still wondering when Keitel was going to show up right before the credits rolled, I’d say Herzog would be pleased. The reason I tell you all of this is because it's best to go into this film without any kind of expectations because, by not meeting your expectations, the film will far exceed them. What starts off as a serious, very dark, dramatic, and seemingly intense film devolves over the course of the movie into an uproarious comedic affair. But the disconnect between these two realms is steep; the first couple times you want to laugh but you almost feel like you shouldn’t. By the time Herzog has rolled out the extended iguana cameos you’ve chuckled a few times and you’ll almost wish you could go back and laugh harder at some of the stuff you couldn’t decide was funny or not in the beginning of the film. Read more after the jump! I dreaded this movie. I know a film review isn’t really about the reviewer, and I am not making this the exception. I just think it is important to say at the outset that the thought of spending a couple of hours with Sandra Bullock in a feel-good sports movie based on a true story made me want to begin slicing my wrists with the Junior Mints box I was holding. The thing is, after I relaxed my preconceptions, The Blind Side charmed me. A little. Read more after the jump! ![]() During the Chinese Taiping Rebellion in the 1860s in the late Qing Dynasty, General Qing-Yun (Jet Li) is the only survivor of his slaughtered troops. In his aimless wanderings after, Qing-Yun encounters a woman who nurses him back to health. Qing-Yun is then welcomed into a group of bandits by Wu-Wang (Takeshi Kaneshiro) only to find the woman who had helped him is wife to other bandit leader Er-Hu (Andy Lau). The three men form a blood pact to always look out for one another, and Qing-Yun convinces the bandit leaders to join the Qing Army in an attempt to give them their financial independence. Qing-Yun assumes the leadership role and what follows is two hours of epic battles, confusing Chinese politics, love-triangles, and a test of fraternity, not to mention eight wins at the Hong Kong Film Awards including director, picture, and actor. ...more after the jump. Unlike Greg, I’m a pretty big fan of period pieces. Give me a movie about a bad ass queen, throw in some sweet costumes and some romance, and I’m sold. This being said, a lot of historical dramas tend to be on the dull side, and The Young Victoria, even with all its glorious costuming and beautiful locations, falls into this category. Most films about Queen Victoria have focused on her later years, of which there were many, considering she was the longest reigning monarch Britain has ever seen. Not much has made mention of her earlier years, which were filled with overbearing advisors, copious wooing, and political strife. The Young Victoria aims to portray Victoria before the stiffness the era that bears her name would later be associated with, as well as the beginning of her long love affair with Prince Albert. More after the jump! ![]() Based on the Jon Ronson book of the same name, The Men Who Stare at Goats follows the 'true' story of a reporter, Bob Wilton, (Ewan McGregor), trying to lose himself in the romance of war after his marriage fails. Bob gets more than he bargains for when he meets an alleged special forces agent, Lyn Cassady (George Clooney), who reveals the existence of a secret psychic military unit whose goal is to end war as we know it. Having heard some truth to his tales Bob dives in and follows Lyn on his 'mission'. Is Lyn crazy or is he a super soldier member of The New Earth Army? more after the jump... Don’t get me wrong, I love Nick Hornby, author of About a Boy and High Fidelity. But, he has the awful knack of making women either stone-cold bitches or pristine virgins, with most of his female characters severely lacking realism. I knew Hornby had crafted An Education’s screenplay, based on the short memoir by British journalist Lynn Barber, but while watching the film, I kept forgetting about his involvement—and I mean this as a compliment. Jenny, the female protagonist in An Education, played subtlety and beautifully by relative newcomer Carey Mulligan, was so dimensional and relatable that I got swept up into her world wholeheartedly. Read more about An Education after the jump! ![]() It's easy to think up a post-apocalyptic world and how you would inhabit it; round up a couple of friends and family members, hoard your resources, and loot a local Wal-Mart of guns and supplies before holing up in a safe place with those you care about. But what would you realistically do? There's no electricity, there's no communication, and you have no idea what's going on outside besides knowing civilization is coming to a end. Nearly all of humanity has been wiped out by some unknown cataclysm, and those who remain are either well-armed xenophobes or canabilistic mauraders. The sun has become obscured by a blanket of ashy grey sky, and plant and animal life is all but extinct. That's the life that is depicted in the bleak and haunting future in the John Hillcoat directed Cormac McCarthy adapation The Road. The story centers on an ailing father (Viggo Mortensen) traveling south with his son (Kodi Smit-McPhee) when he realizes they cannot survive another winter at their present location. The journey follows the father as he wields a pistol with two bullets to protect his son from cannibals, starvation, and everything else the cruel world has to offer him and his uninitiated young boy. More after the jump... |
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