The film opens with its strongest material, blues rock bad boy Joe Lewis of Black Joe Lewis & the Honeybears delivering fish and sharing his two cents about being a musician in the Live Music Capital of the World. We get equally entertaining (and occasionally heartbreaking) tales and performances from others among Austin’s indie elite, including The Black Angels, Ghostland Observatory, Belaire, Sunset, Dana Falconberry and The Octopus Project.
Director Nathan Christ and his gang clearly know where to point the business end of a camera/microphone — the visuals and audio are absolutely gorgeous, but the film seems to lack a clear direction.
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